• Era A Pennello

Era A Pennello

Metric size: 25 kg

U.S. size: 5.5 gal

Grain size: Thick Untinted Liquid

Price: Please call

Use: Interior & Exterior

Application: Exterior Decoration Restoration & Protection

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Description

LIME MILK PAINT FOR EXTERIORS AND INTERIORS. Era lime paint, is formulated in the whole respect of traditional and historical "recipes" and Therefore contains hydrated lime, coloring oxides and earths, linseed oil and rheologic modifiers, which guarantee a perfect workability of the product. Era creates soft and vibrant shades. The extremely low thickness of the product applied does not "hide" the substrate on top of which the product has been applied. Together with "Antiche Patine" mixed with "Lattedicalce" Era lime paint originates soft, colored and, if required, semitransparent glazes imitating the typical features of our Renaissance tradition. The high alkalinity degree typical of lime and a good permeability rate make of Era a perfect natural anti mold agent. Lime paint specially formulated to achieve traditional finishes for modern times. Historically, lime wash was used to protect and decorate the exterior and Interior of buildings. Today, lime washes are used in the restoration of historical buildings and structures, as well as, in decorative finishes. Era a Pennello lime paint contains seasoned hydrated lime, coloring oxides, natural oils and specialty modifiers. The combination of these Ingredients and the absorption of carbon dioxide from the air, results in the magnificent surface glow that cannot be duplicated in other decorative finishes. With this lime paint you can obtain am matt, velvet-like to the touch, continual aging process enriches the appearance of surfaces treated. Use Era a Pennello lime paint, best suited for exterior use when it is necessary to maintain the ability of the building to breath. The use of this lime paint internally is mainly decorative. Lime paint, Era a Pennello is most suitable for application onto an absorbent substrate; limestone, brick, lime and cement mortars, pre-existing lime and gypsum plasters, Gypsum plasterboard, moisture-permeable plasters and walls previously painted with latex paint only.

Specifications

Ebano

Decorative lime-based "Stucco Antico" with black marble stones

General Features

LIME MILK PAINT FOR EXTERIORS AND INTERIORS GENERAL FEATURES Era lime paint, is formulated in the whole respect of traditional and historical "recipes" and Therefore contains hydrated lime, coloring oxides and earths, linseed oil and rheologic modifiers, which guarantee a perfect workability of the product. ERA creates soft and vibrant shades. The extremely low thickness of the product applied does not "hide" the substrate on top of which the product has been applied. Together with "Antiche Patine" mixed with "Lattedicalce" ERA originates soft, colored and, if required, semitransparent glazes imitating the typical features of our Renaissance tradition. The high alkalinity degree typical of lime and a good permeability rate make of Era a perfect natural anti mold agent.

Texture

Matte, Velvet-like.

Uses

Finishing coat of exterior facades in historical town and country settings, in respect of the historical heritage of the surrounding environment. Interior finishing coat. Natural lime based plasters represent ERA's most suitable substrate, since the product reacts chemically with them, building up a unique "body" able to reserve the lime paint for a longer period of time. Following the correct instructions about surface preparation ERA may also be applied over:

• Lime and Cement Mortars
• Premixed renderings
• Pre-existing lime and gypsum plasters
• Moisture-permeable plasters
• Gypsum plasterboard

Substrate Preparation

The substrate must be perfectly dry, dust-free, with no humidity and salt stains.

• New natural lime plasters: the substrate should "mature" for a period of minimum 20 days; then apply EBANO directly on the wall, which has been previously thoroughly wet with water, specially in case of windy and extremely hot weather.
• New or recent lime and cement mortars, premixed renderings, gypsum and plaster boards: apply one priming coat of MARMUR Fine (lime plaster coat), mixed 1:1 with NOVAPRIMER and thinned with 50-100% of clean water, depending on substrate absorption. EBANO may be applied after around 4/6 hours.
• Pre-existing chalking lime plasters: remove damaged and peeling areas with an adequate tool or high-pressure washing; apply one priming coat consisting of MARMUR Fine mixed 1:1 with NOVAPRIMER and thinned with 50-100% of clean water, depending on substrate absorption. Wait at least 4-6 hours prior to the application of EBANO.
• Old synthetic paints and plasters: remove the synthetic finishing coat with a paint remover containing no paraffin. Wash the substrate by means of a high-pressure washing and prepare it according to its nature and following the instructions above.

Application Procedure and Recommendation

ERA lime paint must be diluted with 40-50% of clean water for the first coat and 25-30% for the second coat. It is recommended to wait 8 hours between the 2 coats. Brush application, better if with a horse hair one. Roller or spray gun application is possible too. Stain effects, patinas or transparent glazes maybe achieved with Antiche Patine mixed with Lattedicalce and applied over Era lime paint with any tool, at least 12 hours from the second coat. Do not apply with rainy weather or with air or substrate temperature below 5° C. Protect the facades from rain, at least along the first 48 hours, i.e. until lime has finished to set and started to get hard.

Yield

2-4m2/kg, according to substrate roughness.

Physical Properties

Specific Weight 1,557 kg/dmc

Colour Range

White and as per folder "Linea 700"

Packaging and Shelf-Life

5kg and 25kg pails. The packaged product, if stored at temperatures between +5 and 35°C, is guaranteed for 12 months.

Warning

Dispose of the empty packaging and remaining material in compliance with local laws.

Specification

Application of ERA lime paint, containing hydrated lime, coloring oxides and earths, linseed oil and rheologic modifiers, manufactured by Firenzecolor, Forli, and applied with brush or roller (or spray gun) in two/three coats, diluted according to the manufacturer's instructions. The substrates will be previously treated as follows (choose your specific case and calculate this as a separate charge):

• New natural lime plasters: the substrate should "mature" for a period of minimum 20 days; then apply ERA lime paint and wet thoroughly the wall in case of windy and extremely hot weather.
• New or recent lime and cement mortars, premixed renderings, gypsum and plaster boards: apply one priming coat of ERA, mixed 1:1 with IsoSil (siloxane clear sealer) and 4/5 parts of clean water. After 4-5 hours apply the lime finishing coat.
• Pre-existing chalking lime plasters: remove damaged and peeling areas with an adequate tool or high-pressure washing; apply one priming coat consisting of ERA mixed 1:1 with IsoSil (siloxane clear sealer) and 4-5 parts of clean water. After a few hours smooth the wall with one coat of Marmur Intonachino, if necessary. Wait at least 4-6 hours prior to the application of ERA lime paint.
• Old synthetic paints and plasters: remove the synthetic finishing coat with a paint remover containing no paraffin.. Wash the substrate by means of a high-pressure washing and prepare it according to its nature and following the instructions above. Stain effects, patinas or transparent glazes maybe achieved with Antiche Patine mixed with Lattedicalce and applied over Era lime paint with any tool, at least 12 hours after the second coat. Exclusive of scaffolding, inclusive of flooring, frames and plant protection.

Exclusive of scaffholding, inclusive of flooring, frames and plant protection.

For Your Reference

• IsoSil, siloxane water based clear sealer, data sheet n. 101
• Lattedicalce e Antiche Patine, data sheet n. 500
• Era Veneziana, lime based “Stucco” finish data sheet n. 502
• Marmur Fine e Medio, lime based finishing plaster coats, data sheet n. 503

Available Colors

Leonardo 266	Raffaello 263
Tiziano 264	Piero Della Francesca 262
Dafl 274	Ingres 272
Marmorino	Delacroix 273
Goya 269	Michelangelo 265
Giotto 260	Velazquez 270
Beato Angelico 261	Miro 275
Marmur Fine 262	Caravaggio 276
Marmur Fine 276	Turner 271
Carracci 268	Encausto 222
Encausto 239