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Antiche Patine

Metric size: N/A

U.S. size: N/A

Grain size: N/A

Price: Please call

Use: Glazing & Staining Surfaces

Application: N/A


Description

Liquid natural coloring earths and pigments for semi-transparent matte stains and glazing techniques. Antiche Patine mixed with Lattedicalce or Fasesilossanica originate transparent chromatic shades, typical of our Renaissance craftsmen's tradition. This system makes now two different bases available, which must be carefully mixed and tinted with Antiche Patine, in order to achieve decorative and coloring shades over almost every kind of substrate, for interior and exterior applications. The product obtained blending Antiche Patine with Lattedicalce or Fasesilossanica shall be diluted with minimum 100% of clean water, in order to achieve the final tone required. Antiche Patine may be compared to a "water coloring technique", where it’s always possible to read through the colors applied on each layer.

Specifications

Antiche Patine

General Features

Liquid natural colouring earths and pigments for semi-transparent stains and glazing techniques general features Antiche Patine mixed with Lattedicalce or Fasesilossanica originate transparent chromatic shades, typical of our Renaissance craftsmen's tradition. This system makes now two different bases available, which must be carefully mixed and tinted with Antiche Patine, in order to achieve decorative and coloring shades over almost every kind of substrate, for interior and exterior applications. The product obtained blending Antiche Patine with Lattedicalce or Fasesilossanica shall be diluted with minimum 100% of clean water, in order to achieve the final tone required. Antiche Patine may be compared to a "water coloring technique", where it's always possible to read through the colors applied on each layer.

Texture

Transparent, matt colors.

Uses

  • Finishing coat of exterior facades in historical town and country settings, in respect of the historical heritage of the surrounding environment.
  • Patinas and stain works over new or pre-existing substrates.
  • Finishing coat of exterior non-mineral facades, where highly prestigious aesthetic effect are actually required.
  • Interior decorations.

Substrate Preparation

The substrate must be perfectly dry and sound, dust-free, with no humidity or salt stains. New substrates: apply Antiche Patine, previously blended with Lattedicalce or Fasesilossanica and mixed with water. No intermediate treatment required.

Pre-existing substrates:

  • Clean the wall with an adequate tool or high-pressure washing.
  • Chalking and dusty substrates must be thoroughly brushed off and sealed with a proper siloxane primer, type Isosil. For water dilution rate and application procedure refer to the technical data sheet.

Application Procedure and Recommendation

Mix Antiche Patine either with Lattedicalce or Fasesilossanica, depending on the nature of the substrate. Minimum dilution rate: each 2,5lt of base must be blended with 0,500lt of Antiche Patine. Therefore, cut this mixture of base and pigments with minimum 100% of water, so as to achieve the shade of color required. Apply with a brush, rag, natural sponge, spraying or whatever close to local tradition, usually in tow coats. A one coat application might produce unpleasant aesthetic effects. Each coat will make the color increasingly darker. In order to achieve colors obtained by mixing "primary" colors together, it is recommended to apply different layers of different colors, instead of mixing all the pigments together before the application. The final effect will be much more prestigious and valuable. The "Fresco Technique" is obtained applying the pure pigment (therefore Antiche Patine unblended) diluted 1:10 with water directly over Marmur lime plaster or Cocciopesto intonachino, or Era lime pain, or eventually Era Veneziana lime glossy Stucco finish, immediately after their application (therefore when they are still wet). The pigment will build up a "sole body" with the lime making up the products mentioned above, while this gets hard and dries out completely. Do not work in direct sunlight. Do not apply with rainy weather or with air or substrate temperature below 5° C. Protect the facades from rain, at least along the first 48 hours.

Yield

Over 10m2/lt, depending on substrate absorption rate and color required.

Specific Weight

Antiche Patine: 1,162 kg per dmc Lattedicalce: 1,084 kg per dmc FASESILOSSANICA: 1,015 kg per dmc

Colour Range

As per folder "Antiche Patine"

Packaging and Shelf-Life

Antiche Patine: 0,500lt
Lattedicalce and Fasesilossanica: 2,5lt
The packaged product, if stored at temperatures between +5 and 35°C, is guaranteed for 12 months

Warning

Dispose of the empty packaging and remaining material in compliance with local laws.

Specification

Coloring (or staining or sponging or patina application) of exterior substrates (or interior walls) previously decorated with mineral paints or plaster coats (or synthetic ones) with transparent earths and oxides Antiche Patine, manufactured by Firenzecolor, Forli. The product will be applied with a brush (or a rag, or a sponge or sprayed) in no less than two coats, following the manufacturer's instruction.

Antiche Patine shall be previously mixed with either Lattedicalce (for applications over mineral substrates) or Fasesilossanica (for applications over synthetic substrates), and afterwards diluted with minimum 100% of water, until the requested tone of color has been reached. Exclusive of scaffolding, inclusive of flooring, frames and plant protection.

For Your Reference

All mineral and synthetic plaster finishing products.WATER-BASED, LIQUID, MINERAL BASE, TO BE MIXED WITH ANTICHE PATINE FOR STAIN AND PATINAS EFFECTS, OVER ALL SORTS OF MINERAL LIME SUBSTRATES. WATERBASED, LIQUID, SILOXANE BASE, TO BE MIXED WITH ANTICHE PATINE FOR DECORATION WORKS, STAINS AND PATINAS OVER NON-MINERAL SUBSTRATES.

Available Colors

Rosso Inglese 46
Rosso Inglese
46
Giallo Dore 42
Giallo Dore
42
Giallo Veronese 40
Giallo Veronese
40
Ocra Siena Naturale 51
Ocra Siena Naturale
51
Ombra Naturale 55
Ombra Naturale
55
Bruno Kassel 52
Bruno Kassel
52
Ocra Avana 43
Ocra Avana
43
Ocra Di Provenza 41
Ocra Di Provenza
41
Ocra Siena Bruclata 56
Ocra Siena Bruclata
56
Rosso Flammingo 49
Rosso Flammingo
49
Ombra Bruciata 54
Ombra Bruciata
54
Bruno Di Cipro 44
Bruno Di Cipro
44
Bruno Di Persia 45
Bruno Di Persia
45
Verde Cromo 47
Verde Cromo
47
Verde Brentonico 48
Verde Brentonico
48
Turchese 50
Turchese
50
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